Series
Shadow
Animals held in near-darkness, where a single light decides how much of a body we are allowed to see.
Plate I
Plumage Unfolded
A greater flamingo turns to preen and the raised wing opens like a fan of coral and white.
ShadowPlate II
Standing Curve
The whole body reduced to one line — neck, breast and legs held in a single fall of light.
ShadowPlate III
Head Beneath the Wing
Folded into its own flank, the bird becomes an anatomy of feathers rather than a face.
ShadowPlate IV
Study in White
Wing coverts catch what little light there is; the rest of the body is left in the dark.
ShadowPlate V
At Rest
A flamingo settles low, red and charcoal feathering running the full width of the frame.
ShadowPlate VI
Written in Light
Only a rim of light survives — the neck drawn as a single stroke against the black.
ShadowPlate VII
Lowered to the Water
The head reaches down to feed, bill inverted, one lit eye holding the centre of the picture.
ShadowPlate VIII
The Colony
A crowd of necks and bills packed edge to edge, individual birds dissolving into pattern.
ShadowPlate IX
Among the Resting
One bird stands while the flock sleeps around it, bodies overlapping into a low white drift.
ShadowPlate X
The Arc
A wing opens to its full span, the leading edge burning orange where the light strikes it.
ShadowPlate XI
Distant Company
Seen from far off, a whole flock reduces to a narrow band of pale marks in an empty field.
ShadowPlate XII
Plumb Line
Legs, neck and bill fall into one vertical, with no ground offered to stand on.
ShadowPlate XIII
The Bow
The body folds forward until the head is very nearly lost in the breast feathers.
ShadowPlate XIV
Water Thrown
Wings open at the moment of lift, a scatter of droplets caught in the air beneath.
ShadowPlate XV
Coverts
Close in on the wing: red primaries laid over white like tiles on a roof.
ShadowPlate XVI
Turned Away
The bird faces into the dark; only the back and the length of one red leg are given to us.
ShadowPlate XVII
Three Lines
Two legs and a neck and almost nothing else — the picture kept to the edge of legibility.
ShadowPlate XVIII
Gold Water
A single silhouette wades through a surface broken into hundreds of points of light.
ShadowPlate XIX
The Crown
A stag's antlers emerge from complete darkness while the animal beneath them stays hidden.
ShadowPlate XX
Lowered Head
Antlers swept back and head dropped, the whole weight of the animal implied in shadow.
ShadowPlate XXI
The Muzzle
Close enough to read the wet of the nose and the coarse winter coat around the eye.
ShadowPlate XXII
Post and Reflection
A cormorant holds a stake above black water ruled by thin bands of reflected light.
ShadowPlate XXIII
Three Egrets
Necks cross and overlap until it is no longer clear where one bird ends and the next begins.
ShadowPlate XXIV
Roost
Egrets stacked on unseen branches, each body a separate white shape hung in the dark.
ShadowPlate XXV
Wing Over Stone
An egret preens on a rock, the raised wing catching a narrow shaft of sun.
ShadowPlate XXVI
Face to Face
A beetle meets the lens head-on, mouthparts and eyes lit against a field of red.
ShadowPlate XXVII
Veined Wings
A dragonfly at rest, the venation of the wings reading like drawing on tracing paper.
ShadowPlate XXVIII
The Tendril
A damselfly balances on a dry curl of stem: two spirals, one living, one not.
ShadowPlate XXIX
Capped Heron
Cream plumage, a blue bill and one long trailing plume, picked out on a bare branch.
ShadowPlate XXX
The Mirror Line
The water surface splits a caiman's head exactly in two, an eye above and an eye below.
ShadowPlate XXXI
Surfacing
Almost nothing breaks the surface — a snout, an eye, and a thin seam of light on the water.
ShadowPlate XXXII
Afloat
The whole animal lies at the surface, its ridged back traced in gold from end to end.
ShadowPlate XXXIII
At Close Range
A hunting spider photographed near enough to resolve every hair on the carapace.
ShadowPlate XXXIV
The Wrapping
A spider stands over silk-bound prey, the web visible only where light snags on it.
ShadowPlate XXXV
Two on a Stem
Two longwing butterflies hang from the same dry stem, wings held open like plates.
ShadowPlate XXXVI
Inverted Sky
A heron on the shoreline, photographed so that the reflected sky becomes the ground.
Shadow