Series
Monochrome
Colour removed, leaving line, texture and anatomy to carry the picture on their own.
Plate I
Crossed Bills
Two pelicans meet, the bills crossing and opening, cut flat into silhouette.
MonochromePlate II
Bill to Bill
A greeting held long enough to photograph: two heads meeting at the tips.
MonochromePlate III
The Open Bill
One bird gapes while the other holds still, and the exchange reads as pure shape.
MonochromePlate IV
In Mist
Fog takes the contrast out of everything, leaving the pelicans as grey suggestions.
MonochromePlate V
Three on Posts
Three birds on three posts, the middle one pointing its bill straight up.
MonochromePlate VI
Braking
Wings thrown wide at the last moment before the feet find the perch.
MonochromePlate VII
Folded
At rest the bird becomes a single dark mass with one bright edge.
MonochromePlate VIII
Full Span
The whole wingspan opened flat against a blank sky.
MonochromePlate IX
The Line
A row of pelicans with their bills all turned the same way, like a repeated mark.
MonochromePlate X
Frigatebirds
Two frigatebirds hold their angular silhouettes without a single wingbeat.
MonochromePlate XI
Raised Bills
Two heads tip back at once, throats stretched, bills pointing to opposite corners.
MonochromePlate XII
Sentinel
Upright, still and photographed straight on, the bird takes on a formal quality.
MonochromePlate XIII
Turned Head
The head swivels while the body stays square to us: two directions in one animal.
MonochromePlate XIV
Through the Pines
A heron crosses behind pine needles that read as ink laid on white paper.
MonochromePlate XV
Antlers Against White
Seen from behind, the stag turns its head and the antlers resolve into a bare diagram.
MonochromePlate XVI
Bare Branch
No animal at all — a single branch, kept for the way it repeats the shape of antlers.
Monochrome